- Written by Administrator
- Category: Network News
WILMINGTON—The Rose Post Creative Nonfiction Competition is now open for submissions. The deadline is January 15, 2020.
This prize awards $1,000 and possible publication in Ecotone to a piece of unconventional journalism not to exceed 2,000 words. Second and Third-Place winners will receive $300 and $200 respectively.
Jane Wong will judge.
Jane Wong's poems can be found in places such as American Poetry Review, POETRY, AGNI, Third Coast, New England Review, and others. Her essays have appeared in McSweeney's, Black Warrior Review, Ecotone, the Georgia Review, Shenandoah, and This is the Place: Women Writing about Home. Her essay in Ecotone, "Meet Me Tonight in Atlantic City," was commended in the 2018 Stack Magazine Awards. A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program, Artist Trust, the Fine Arts Work Center, the Bread Loaf Writers' Conference, Willapa Bay AiR, Hedgebrook, the Jentel Foundation, and others. She is the author of Overpour, from Action Books, and How to Not Be Afraid of Everything, which is forthcoming from Alice James Books. She is an assistant professor of creative writing at Western Washington University.
Subjects for essays submitted to the Rose Post Creative Nonfiction Competition may include traditional categories such as reviews, travel articles, profiles or interviews, place/history pieces, or culture criticism.
This competition is facilitated by the University of North Carolina at Wilmington Department of Creative Writing, which runs a small press, Lookout Books, and a sister literary magazine, Ecotone.
Ecotone’s mission is to publish and promote the best place-based work being written today. Founded at the University of North Carolina Wilmington in 2005, the award-winning magazine features writing and art that reimagine place, and our authors interpret this charge expansively. An ecotone is a transition zone between two adjacent ecological communities, containing the characteristic species of each. It is therefore a place of danger or opportunity, a testing ground. The magazine explores the ecotones between landscapes, literary genres, scientific and artistic disciplines, modes of thought.
Recent contributors include Ross Gay, David Gessner, Julia Ridley Smith, and Amber Flora Thomas.
Rose Post worked for the Salisbury Post for fifty-six years as a reporter, feature writer, and columnist. She won numerous state and national awards for her writing and earned the NC Press Women's top annual award four times. She received the O. Henry Award from the Associated Press three times, the Pete Ivey Award, and the School Bell Award for educational coverage. Nationally, she won the 1989 Ernie Pyle Award, the Scripps Howard Foundation National Journalism Award for human-interest writing, and the 1994 National Society of Newspaper Columnists' Award.
The winner of the 2019 Rose Post Creative Nonfiction Competition was Pam Van Dyk of Raleigh, for her essay "ABC to XYZ." Special thanks to the Queens University of Charlotte MFA in Creative Writing Program for facilitating the 2019 contest in the wake of Hurricane Florence.
The full competition guidelines are listed below and can be found at www.ncwriters.org.
Eligibility and Guidelines
- The competition is open to any writer who is a legal resident of North Carolina or a member of the North Carolina Writers’ Network.
- The postmark deadline is January 15.
- The entry fee is $10 for NCWN members, $12 for nonmembers.
- Entries can be submitted in one of two ways:
- Send two printed copies through the U.S. Postal Service (see guidelines and address below), along with a check for the appropriate fee, made payable to the North Carolina Writers' Network.
- Submit an electronic copy online at http://ncwriters.submittable.com, and pay by VISA or MasterCard.
- Simultaneous submissions ok, but please notify us immediately if your work is accepted elsewhere.
- Each entry must be an original and previously unpublished manuscript of no more than 2,000 words, typed in a 12-point standard font (i.e., Times New Roman) and double-spaced.
- Author's name should not appear on manuscripts. Instead, include a separate cover sheet with name, address, phone number, e-mail address, word count, and manuscript title. (If submitting online, do not include a cover sheet with your document; Submittable will collect and record your name and contact information.)
- An entry fee must accompany the manuscript. Multiple submissions are accepted, one manuscript per entry fee: $10 for NCWN members, $12 for nonmembers.
- You may pay the member entry fee if you join NCWN with your submission. Checks should be made payable to the North Carolina Writers’ Network.
- Entries will not be returned. Winners will be announced in March.
- When you submit online at https://ncwriters.submittable.com/submit, Submittable will collect your entry fee via credit card ($15 NCWN members / $25 non-members). (If submitting online, do not include a cover sheet with your document; Submittable will collect and record your name and contact information. For more information about Submittable, click here.)
- To submit as a Member of NCWN ($10), click here.
- To submit as a Non-Member of NCWN ($12), click here.
- If submitting by mail, send submission to:
- Written by Administrator
- Category: Network News
ONEONTA, NY—Characters don't just happen to live inside the worlds we create for them, they inhabit their worlds as living, breathing beings. They are products of their environments, interacting with, influencing, and being influenced by their habitats.
That's why setting is so important. More than merely a two-dimensional backdrop, the setting can reflect, oppose, and shift the interior worlds of our characters.
On Tuesday, February 11, at 7:00 pm, novelist George Hovis will lead the online class "Vivid Landscapes, Unpredictable Characters, Unforgettable Stories" (Fiction).
Registration is open.
This course is capped at forty (40) registrants, first-come, first-served. There is a $45 fee to register.
Dive into a discussion of strategies for finding the exotic, the surreal, and the sublime available in everyday landscapes. During this session, we’ll explore how setting gives birth to original characters and plots—and how, in turn, the choices of characters define a place.
After examining the function of setting in the work of masters such as Zora Neale Hurston, Mark Twain, and Lee Smith, we’ll map the settings of our own fictional worlds in order to discover the surprises lurking therein.
Moving beyond mere description, we will see how both the actions and interior life of characters are driven by the places they inhabit.
George Hovis' debut novel, The Skin Artist (SFK, 2019), explores the gothic urban South, a world of tattoo magic and failed upward mobility. His stories and essays have appeared widely in such journals as The Carolina Quarterly, The Fourth River, Mississippi Quarterly, New Madrid, Southern Cultures, The Southern Literary Journal, and North Carolina Literary Review. A Pushcart Prize nominee and a former president of the Thomas Wolfe Society, he earned a Ph.D from the University of North Carolina at Chapel Hill and has attended the Sewanee Writers’ Conference. He is a professor of English at SUNY Oneonta and a recipient of the SUNY Chancellor’s Award for Excellence in Teaching.
"Vivid Landscapes, Unpredictable Characters, Unforgettable Stories" (Fiction) is the North Carolina Writers' Network's fourth offering in their 2019-2020 series of online classes.
"This program is a great way for writers from all over North Carolina to connect without having the hassle of driving somewhere and finding parking," said NCWN communications director Charles Fiore. "Online classes offer top-shelf instruction for a fraction of the cost, and the software itself is very intuitive and easy to use."
The online class "Vivid Landscapes, Unpredictable Characters, Unforgettable Stories" (Fiction) is available to anyone with an internet connection, or who even owns just a telephone. Instructions for accessing the online class on Tuesday, February 11, will be sent to registrants no less than twenty-four hours prior to the start of class. The class will be archived and made available to registrants for repeated viewings.
The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org.