White Cross School Blog


NC Literary Hall of Fame




MHRA Building (Corner of Spring Garden and Forest Streets)
University of North Carolina at Greensboro
Saturday, April 18

                                 UNC Greensboro    

The North Carolina Writers' Network and the MFA in Creative Writing Program at UNC-Greensboro bring you a full day of classes, workshops, conversations, and more.

This year’s Spring Conference again will be in UNCG’s MHRA Building, on the corner of Spring Garden and Forest Streets, and in Curry Auditorium next door, offering classes and discussions on the craft and business of writing and publishing.


Register Online | Download Registration Form


Fees and Deadlines

Register Online | Download Registration Form

Early registration ends 9:00 am on Monday, April 13.

Early registration:

  • $99 for members
  • $150 for non-members


Lunch with an Author:

  • $20 for members
  • $30 for non-members


IMPORTANT: Spring Conference attendees MUST register for Lunch with an Author prior to the conference. Lunch with an Author registration will NOT be available on-site.

On-site registration as a walk-in:
  • $135 for members
  • $165 for non-members
  • Lunch with an Author and Master Classes not available to walk-in registrants

You can join the Network when you register, and pay the member rates plus the appropriate member dues:

$80 standard 1-year membership
$60 reduced membership (senior 65+, full-time student, writers under 30, writers with disabilities)
$140 2-year membership
$110 2-year reduced membership
$140 household 1-year membership


A limited amount of scholarship aid is available to deserving writers who otherwise could not attend the 2020 Spring Conference. If you would like to apply for a scholarship, please send a C.V. and a letter of interest to This email address is being protected from spambots. You need JavaScript enabled to view it. no later than Friday, March 27.

In addition to our general scholarship aid, "More Seats" Scholarships are available to attend the Spring Conference thanks to the generosity of an anonymous donor. More Seats Scholarships seek to add “more seats” to the literary table by encouraging beginning writers from underserved communities, especially writers from rural counties, writers of color, and LGBTQ+ writers. Selection criteria will focus on commitment to writing, rather than degrees or publications.

To apply, send a current CV—with contact information and a list of any work, education, publications, or other relevant literary experiences or achievements—and a Statement of Writing Intent of no more than 1,000 words to This email address is being protected from spambots. You need JavaScript enabled to view it., no later than Friday, March 27. The subject line should specify the applicant’s interest in a More Seats Scholarship. Questions should be sent to that e-mail address, as well.


Cancellations must be made in writing and arrive at the Network office (via USPS or e-mail) by 4:00 pm, Thursday, April 9, for you to receive a refund, less 25 percent. Send request to This email address is being protected from spambots. You need JavaScript enabled to view it.. No refunds for cancellations received after April 9 or for no-shows.

For Writers with Special Needs

The North Carolina Writers' Network strives to make our programs and services accessible to all writers, including those with special needs. If you require conference materials either in large print or in Braille, or if you require a sign-language interpreter, please register for the conference and submit your request to This email address is being protected from spambots. You need JavaScript enabled to view it. no later than Monday, April 6. If you require any other special assistance, please let us know as soon as possible at This email address is being protected from spambots. You need JavaScript enabled to view it.. We will do our best to accommodate all reasonable requests.


  • March 27: Deadline for all scholarship applications
  • April 3: Deadline for Master Class registration (see guidelines)
  • April 6: Deadline for special-needs requests
  • April 9: Deadline to receive a refund for cancellation
  • April 13: Deadline for early registration
  • April 18: Spring Conference in session; on-site registration available

Venue and Parking

The 2020 Spring Conference will be held in the Moore Humanities & Research Administration (MHRA) Building on the UNCG campus, 1111 Spring Garden St., Greensboro, NC, 27403, and in the Curry Auditorium next door. The MHRA Building is located at the corner of Spring Garden and Forest Streets.

Parking will be available for Spring Conference registrants in the Oakland Avenue Parking Deck, across Forest Street from the MHRA Building (behind Yum Yum Better Ice Cream and Old Town Draught House).

A map of the UNCG campus is available here.

UNCG’s Creative Writing Department and the Network will provide coffee and bottled water in the MHRA lobby Saturday morning. Vending machines can be found in the student lounge, and several dining options are a short walk from the conference venue. You are welcome (and encouraged) to bring your own snacks and drinks for the breaks between conference sessions.

Nearby Hotels

The Greensboro Convention & Visitors Bureau can help you find accommodations in the area. Please visit http://www.visitgreensboronc.com.


In an effort to save money, time, and resources, the Network will send to all 2020 Spring Conference registrants, exhibitors, and faculty an E-Packet prior to April 18. The E-Packet will contain all the usual conference packet materials in the form of a PDF that registrants can print or download to a device to bring with them to the conference.

Name tags, personalized schedules, and copies of the Schedule-at-a-Glance will still be available at the registration table the day of the conference.

If you prefer to receive a traditional printed packet at the conference, please indicate this preference in the space provided on your registration form and pick up your packet at the registration table.

Return to Top


Register Online | Download Registration Form

Saturday, April 18
8:00-9:00am Registration Open (MHRA Lobby)
8:30 am - 5:00 pm Exhibit Tables and Book Sales Open (MHRA Lobby)
9:00 am - 10:00 am Keynote Celebration of the Carolina African-American Writers' Collective (Curry Auditorium)
10:30 am - 12:00 pm

Session I

12:00-1:15 pm Lunch with an Author (if pre-registered; lunch on your own if not)
1:15-2:15 pm Faculty Readings (MHRA 1214 and 1215)
Sponsored by Written Word Media
2:30-4:00 pm

Session II


Open Mic Readings - Sign up at registration table (MHRA 1214 and 1215)


Slush Pile Live! (MHRA 1214 and 1215)


Return to Top

Master Class

Register Online | Download Registration Form

Master Classes offer advanced writers a chance to delve more deeply into a particular genre. Each Master Class will take place over the course of Sessions I and II, and will be limited to the first 10 qualified registrants.

While publication credits are not required, Master Class participants should be experienced writers, dedicated to their craft. Applications will be reviewed, and qualified registrants admitted, on a rolling basis, until the deadline of Friday, April 3.

Please submit your current CV, along with the required manuscript (see each Master Class’s course description, below, for its manuscript requirements), to This email address is being protected from spambots. You need JavaScript enabled to view it., on the day you register for the Spring Conference. You cannot be considered for a Master Class until we receive your CV and required manuscript. Again, the deadline to apply for a Master Class is Friday, April 3.

When you register for the Spring Conference, if applying for a Master Class, please choose another workshop as a back-up for each session, in case you are not admitted to the Master Class. Application to a Master Class requires a non-refundable $20 processing fee, in addition to the Spring Conference registration fee. If registering for the conference online or by phone, you can pay this processing fee with a VISA, MasterCard, or Discover. If registering by mail, you must include a separate check for $20.


Return to Top

Full Conference Schedule with Course Descriptions

Register Online | Download Registration Form

8:00–9:00 am Registration Open (MHRA Lobby)

8:30 am – 5:00 pm Exhibits and Book Sales Open (MHRA Lobby)

9:00 am–10:00 am Keynote Celebration of the Carolina African-American Writers’ Collective
In August of 1995, poet Lenard D. Moore and other North Carolina African-American writers began meeting in Moore’s home for fellowship, learning, and support, forming an enduring organization composed of many now-prominent writers in the state and throughout the country. Collectively, the CAAWC writers have published more than sixty books of prose and poetry, gained prominence as professors and authors, and received wide-ranging recognition. Moore and three longtime active members of the collective—Dr. L. Teresa Church, Bridgette A. Lacy, and Crystal Simone Smith—will chronicle the history of this organization and will read excerpts from their forthcoming anthology, All the Songs We Sing: Celebrating the 25th Anniversary of the Carolina African American Writers' Collective.

10:30 am – 12:00 pm Session I

Messing Up Good: Fiction Master Class with Xhenet Aliu
Many of us seek to produce writing that our readers will recognize as beautiful: seamless structure, lush language, elegant and universal themes. Sometimes, however, the most striking work is the unrecognizably beautiful, stories that still us with misfit imagery, conspicuously crude prose, or disjointed narrative structures. This class will focus on macro and micro methods of unprettying our stories, with discussions on why and when we might consider such effects and how to deploy them in ways that serve our work without sabotaging it.

Please submit up to 1,500 sequential words from a single work, along with your current CV in a separate attachment, on the same day that you register for the conference. Submissions should be saved in an MS Word document, using double-spaced 12-point Times New Roman font, with numbered pages, and sent as an attachment to This email address is being protected from spambots. You need JavaScript enabled to view it.. The Word document’s file name should include your own last name, and the title of the work and your name should appear on the submission itself. If accepted into the Master Class, your submitted work will be shared with other Master Class registrants.

Each registrant should be ready to handle the intensive instruction and atmosphere of the Master Class.

Now Look at What You Have Done: Poetry Master Class with Stuart Dischell
This class will consider the conscious and unconscious choices writers face regarding the structures and strategies of their poems. We will look closely at the way poems are made and organized and the manners in which their crafting affects the sense they make. The pace will be fast-moving, the atmosphere lively, critical, helpful, supportive, and sometimes humorous. We will look at one poem by each of the participants and the works of other authors.

Please submit three poems, totaling no more than five pages, on the same day that you register for the conference, along with your current CV in a separate attachment. Poems should be saved in a single MS Word document, using single-spaced, 12-point, Times New Roman font, and sent as an attachment to This email address is being protected from spambots. You need JavaScript enabled to view it.. The Word document’s file name should include your own last name, and your name and the title of each poem should appear on the submission. If accepted into the Master Class, your submitted work will be shared with other Master Class registrants.

Each registrant should be ready to handle the intensive instruction and atmosphere of the Master Class.

The Art of Writing Memoir: CNF Master Class with Randal O’Wain
We all have a story inside of us that is itching to be shared with others and as nonfiction writers we have the drive to put these memories on paper. How do we reconstruct the past and all of the messy components of life onto the page? How do we breathe personality into the people we love, and how do we illustrate the settings and landscapes that made us who we are so that a reader can experience these meaningful life events with compassion and empathy?

During our workshop period, we will practice the foundations of writing memoir artfully through exercises and readings that exemplify compelling narrative persona, vivid imagery, sensory details, and turn anecdotes into satisfying narratives that are relatable and fulfilled.

Please submit up to 1,500 sequential words from a single work, along with your current CV in a separate attachment, on the same day that you register for the conference. Submissions should be saved in an MS Word document, using double-spaced 12-point Times New Roman font, with numbered pages, and sent as an attachment to This email address is being protected from spambots. You need JavaScript enabled to view it.. The Word document’s file name should include your own last name, and the title of the work and your name should appear on the submission itself. If accepted into the Master Class, your submitted work will be shared with other Master Class registrants.

Each registrant should be ready to handle the intensive instruction and atmosphere of the Master Class.

Narrative Medicine: Stories of Illness & the Power of Reflective Writing with Aimee Mepham
This session will provide a brief introduction to the field of narrative medicine—the scholarly and clinical movement that centers the power of story in health care—and the wide-ranging ways it can be practiced by writers who are patients, caregivers, or simply want to explore the connection between writing and healing. We will read and discuss select short pieces about health and illness, followed by practicing several reflective writing prompts/exercises that allow writers to explore their relationship with writing’s therapeutic potential.

More than Meaning (poetry) with Timothy O’Keefe
For many people, learning to read poetry is tantamount to becoming a word detective—one is taught to look for signs and clues in order to arrive at the “deep meaning” of the poem. Or, worse yet, they attempt to translate “what the poet was really trying to say.” This class will explore poetic approaches to the doing of a poem—the poem as an event on the page—instead of focusing on the traditional markers of meaning (symbol, metaphor, allusion, etc.). The goal is not to dispense with meaning altogether, but to reposition it as just one of many experiences the poem can present to an attentive reader.

Make a Scene: Emotional Building Blocks of Fiction with Quinn Dalton
What is a scene? How do you know when you need one? How do you get “in” and “out” of it? Through discussion and in-class exercises you’ll understand the necessary elements of scenes, how they are built, and how to use them to propel your story.

Public Speaking for Writers with Cameron Kent
Are you one of those people who is uncomfortable with public speaking? Many writers are. It can be daunting, but if you want to market your writing and sell more books, then you need to be able to effectively talk to people at book launches, book clubs, and even pitch meetings. Cameron Kent will teach you how to prepare your remarks, overcome your nervousness, and successfully deliver your speech to groups of people large and small.

12:00–1:15 pm Lunch with an Author (if pre-registered; lunch on your own if not)
Sign up to have lunch with a small group of fellow registrants and one of our conference instructors. This is a great opportunity to talk shop with an experienced writer in a relaxed, informal setting. Lunch options and beverages will be provided to those who pre-register. Pre-registration by 9:00 am on Monday, April 13, is required to participate in Lunch with an Author; you will not be able to sign up on-site.

Choose from the following authors:

1:15–2:15 pm Faculty Readings (MHRA 1214 and 1215)
Sponsored by Written Word Media

2:30–4:00 pm Session II

Fiction Master Class with Xhenet Aliu
Continued; see above for description.

Poetry Master Class with Stuart Dischell
Continued; see above for description.

Creative Nonfiction Master Class with Randal O’Wain
Continued; see above for description.

Planning Your Creativity: Hybrid Outlines for 21st Century Writing (all genres) with Jorge D. Cortese
Most writers are inspired to write a novel starting with a single idea or scene. And they are frequently told that writing is a linear, spontaneous process, not unlike reading, and that outlining would stifle their creativity. The resulting process can disregard the complexities of a finalized manuscript, where parallel tracks need to be in perfect balance. We will learn how to create and use hybrid outlines—combining written and graphic elements—as scaffolds to develop and preserve new ideas, ask questions about plot, save editing time, and control all components of writing: story, character, setting, and theme. To practice, we will outline a new story and create a personalized idea cluster to preserve it for future writing.

Crowded House: Imagery in Poetry with Jennie Malboeuf
This workshop focuses primarily on imagery. Following the lead of Plath, Bishop, and Clifton, we will explore how to ornament and enhance our poems with actual objects. These poets will demonstrate how to get from the unspeakable to the concrete. We will investigate the stuff of nouns, both living (like animals) and inanimate (like furniture). By the end of workshop, students will have filled their stanzas (little rooms) with a heavy hoard of things. The goal is to make our poems have weight; let’s ground these airy creations.

Writing Your Life: Turning Personal Stories into Universal Narratives with Bridgette A. Lacy
Bridgette A. Lacy writes about the big and small moments of life, ranging from losing her sense of smell to a brain tumor to crafting essays on Sunday Dinner. Join her for a ninety-minute creative nonfiction class, where she’ll discus turning our private moments into literary gold. To make readers connect to our story, our work must show the turmoil, the joy, and those private moments that resonate in our own lives. During her class, she will share some techniques for focusing our life stories and fine-tuning them for publication.

What a Long Strange Trip: From Manuscript to Finished Book with Robin Miura and Lynn York
So, you’ve finished your manuscript, and miraculously you’ve found a publisher. What happens next? In this workshop, two leaders from Blair, a Durham-based nonprofit press, will guide you along the perilous and winding path to publication. They’ll discuss ideas for working with an editor, understanding your publishing team, considering the design for your book, handling the copyediting and proofreading process, building your fan base, participating in the marketing plan for your book, becoming an advocate for yourself and your book, budgeting time and resources for the endeavor, managing your expectations, and preparing to enjoy every step of the crazy process. Between the two of them, your guides for this workshop have found themselves in the roles of author, agent, editor, copyeditor, proofreader, marketer, and sales rep, so this workshop will be a mix of nuts-and-bolts advice, war stories, and best practices—with plenty of time reserved for responding to your questions.

4:00–5:00 pm Open Mic (MHRA 1214 and 1215)
Sign up at the conference registration table if you would like to share your work. Only twenty-four reading slots, of five minutes each, will be available, first-come, first-served.

5:00–6:00 pm Slush Pile Live!
Slush Pile Live! offers both poetry and prose in two rooms so that more attendees have a chance to receive feedback on their writing. Have you ever wondered what goes through an editor's mind as he or she reads through a stack of unsolicited submissions? Here's your chance to find out.

Beginning at 4:00 pm, attendees may drop off either 300 words of prose or one page of poetry in the room of their choice (prose and poetry will be read in both MHRA rooms 1214 and 1215). The author’s name should not appear on the manuscript.

Then, at 5:00 pm, a panel of editors will listen to the submissions being read out loud and raise their hand when they hear something that would make them stop reading if the piece were being submitted to their publication. The editors will discuss what they did and did not like about the sample, offering constructive feedback on the manuscript itself and the submission process. All anonymous—all live! (Authors can reveal themselves at the end, but only if they want to.)

Those interested in having their anonymous submission read should bring a hard copy of up to 300 words of prose from a single work or one page of poetry (40-line max) to one of the Slush Pile Live! rooms. Submissions should be double-spaced, 12-point, Times New Roman font. No names should appear on the submissions. If submitting prose, do please list the genre.


Return to Top

Faculty Biographies

Register Online | Download Registration Form


Spring Conference Faculty

Xhenet Aliu’s novel, Brass, was awarded the 2018 Georgia Author of the Year First Novel Prize, was a Barnes & Noble “Discover Great New Writers” selection, was long-listed for the 2018 Center for Fiction First Book Prize, and was named a best book of the year by numerous outlets, including Entertainment Weekly, The San Francisco Chronicle, Real Simple, and The Atlanta Journal-Constitution. Her debut fiction collection, Domesticated Wild Things, won the Prairie Schooner Book Prize in Fiction. Aliu’s writing has appeared in The New York Times, The Boston Globe, Glimmer Train, Hobart, American Short Fiction, Lenny, LitHub, Buzzfeed, and elsewhere, and she has received fellowships from the Bread Loaf and Sewanee Writers’ Conferences, a grant from the Elizabeth George Foundation, and a fellowship from the Djerassi Resident Artists Program, among other awards, including a special mention in the Pushcart Prize anthology. She is an assistant professor of Creative Writing at the UNC-Greensboro and has previously worked as an academic librarian, private investigator, waitress, and secretary.

Dr. L. Teresa Church has been a member of the Carolina African-American Writers’ Collective since 1995. Her writings have appeared in publications such as Simply Haiku, The Heron’s Nest, Obsidian: Literature in the African Diaspora, Solo Café, Nocturnes: (Re)view of the Literary Arts, African American Review, North Carolina Literary Review, her chapbooks Hand-Me-Down Calicos and Beyond the Water Dance, and One Window’s Light: A Collection of Haiku.

Jorge D. Cortese is an award-winning scientist and educator. He wrote a regular column for a nationwide newspaper, The Scientist, developed projects for major publishing houses, and created innovative strategies to blend online and classroom teaching. He received the 2015 literary award of The Writers’ Workshop of Asheville and published his first novel, The Sound of a Broken Chain, in 2018. His second novel, The Watchtowers, will be released in 2020. He writes science fiction echoing magical realism and obsesses about time, fate, and the future of humanity. After generously pinning a world map, he settled in Durham and now serves as the NCWN’s Regional Rep for Durham County.

Quinn Dalton
is the author of two story collections and two novels, most recently Midnight Bowling. She also co-authored The Infinity of You & Me under the pen name JQ Coyle with award-winning novelist and poet Julianna Baggott. Dalton has taught creative writing at UNC-Chapel Hill, UNC-Greensboro, and Wake Forest and has published numerous articles on the publishing business and writing craft. Her Spring NCWN course "Make A Scene" is based on her editing experience and a resulting article of the same name.

Stuart Dischell is the author of Good Hope Road (Viking), a National Poetry Series Selection, Evenings & Avenues (Penguin), Dig Safe (Penguin), Backwards Days (Penguin), and Children with Enemies (Chicago), the pamphlets Animate Earth and Touch Monkey, and the chapbook Standing on Z (Unicorn). His poems have appeared in The Atlantic, Agni, The New Republic, Slate, Kenyon Review, Ploughshares, and anthologies including Essential Poems, Hammer and Blaze, Pushcart Prize, and Good Poems. A recipient of awards from the NEA, the North Carolina Arts Council, and the John Simon Guggenheim Foundation, he has taught poetry and literature at Boston University, New Mexico State University, the Warren Wilson Low Residency MFA Program, the Sarah Lawrence Summer Seminars, and the Palm Beach Poetry Festival. He is a professor in the MFA Program in Creative Writing at the University of North Carolina Greensboro.

Cameron Kent is a member of the North Carolina Association of Broadcasters Hall of Fame. He retired from television broadcasting in December of 2016 after thirty-two years at WXII-12 News in Winston-Salem, working as a street reporter, sports anchor, and then the main News Anchor for the last twenty-two years of his career. He was nominated for fourteen Emmy Awards for journalism, including three times as best news writer, and won an Emmy for his reporting on the Pentagon after 9/11. Cameron has published five novels: The Road to Devotion, When the Ravens Die, Make Me Disappear, The Sea is Silent, and Mayor Molly. His other writing credits include four films which have aired on NBC, HBO, Lifetime, and at the American Film Institute.

Bridgette A. Lacy is an award-winning journalist and author. She served as a longtime features writer for The News & Observer in Raleigh. She’s the author of Sunday Dinner, part of the Savor the South series by UNC Press and a finalist for the Pat Conroy Cookbook Prize. Lacy is also a contributor to The Carolina Table: North Carolina Writers on Food (Eno Publishers, 2016) and 27 Views of Raleigh: The City of Oaks in Prose & Poetry (Eno Publishers, 2013). Her work has appeared in Our State Magazine, Salt, and O.Henry.

Jennie Malboeuf  is the author of God had a body, forthcoming from Indiana University Press in Spring, 2020. Her poems are found in Crazyhorse, The Gettysburg Review, The Southern Review, The Harvard Review, VQR, Prairie Schooner, and ZYZZYVA. Born and raised in Kentucky, she teaches at Guilford College in Greensboro and is the recipient of a 2020 NC Arts Council fellowship.

Aimee Mepham  is Assistant Director of the Humanities Institute at Wake Forest University where she is co-chair of the Story, Health, & Healing initiative. She holds an MFA in Creative Writing from Washington University in St. Louis and has taught writing workshops at Indiana University, Washington University in St. Louis, Wake Forest University, and Salem College. She is also the Creative Nonfiction Editor of Snapdragon: A Journal of Art & Healing. Her work has appeared in Meridian, River Styx, and Hobart, among others, and has also been performed twice by Liars’ League NYC, a live literary journal featuring professionally trained actors reading original short stories by writers.

Robin Miura is the Senior Editor and Associate Publisher of Blair, a nonprofit press based in Durham. She has worked in publishing for twenty years, first as a production editor for Oxford University Press and later as a freelance editor, proofreader, publishing consultant, and writing coach for publishing companies and individual authors. She has worked with all types of books, but her passion is literary fiction and creative nonfiction. She is also a founding editor of the online magazine South Writ Large.

Lenard D. Moore is an internationally acclaimed poet and anthologist. He is a U.S. Army Veteran. Moore is the author of The Geography of Jazz, A Temple Looming, Desert Storm: A Brief History, Forever Home, and The Open Eye. He is the editor for One Window’s Light: A collection of Haiku. He is the founder and executive director of the Carolina African American Writers’ Collective and the Executive Chairman of the North Carolina Haiku Society. He was the first African American president of the Haiku Society of America. His awards include the North Carolina Award for Literature and the Haiku Museum of Tokyo Award. He teaches African American literature and creative writing at the University of Mount Olive where he is the poet-in-residence.

Timothy O’Keefe is the author of You Are the Phenomenology, winner of the 2017 Juniper Prize for Poetry, and The Goodbye Town, winner of the 2010 FIELD Poetry Prize. His poems and lyric essays have appeared in The American Poetry Review, The Best American Essays, Boston Review, Colorado Review, Denver Quarterly, Massachusetts Review, Seneca Review, VOLT, and elsewhere. He teaches writing and literature at High Point University.

M. Randal O’Wain is the author of Meander Belt: Family, Loss, and Coming of Age in the Working Class South (Nebraska, 2019) and the short-story collection Hallelujah Station (Autumn House, 2020). He is an Assistant Teaching Professor at UNC-Chapel Hill and a National Endowment of the Arts Fellow at Alderson Federal Correction Institute in West Virginia.

Crystal Simone Smith is the author of two poetry chapbooks, Routes Home (Finishing Line Press, 2013) and Running Music (Longleaf Press, 2014). She is also the author of Wildflowers: Haiku, Senryu, and Haibun (2016). Her work has appeared in numerous journals including: Callaloo, Nimrod, Barrow Street, and African American Review. She is an alumna of the Callaloo Creative Writing Workshop and the Yale Summer Writers Conference. She is also the founder of Backbone Press.

Lynn York is the Publisher of Blair, a nonprofit press based in Durham. She is the author of two novels: The Piano Teacher (Plume) and The Sweet Life (Plume), a Booksense Notable Book. She holds a BA in English from Duke and an MBA/MA from UT-Austin. She began her career as a college textbook rep and has also worked in telecommunications and satellite television industries. She began working as a volunteer with Carolina Wren Press in 2013, and, with Robin Miura, founded the Lee Smith Novel Prize. She has taught writing workshops at Duke’s Osher Institute, NC State University, High Point University, the North Carolina Writers’ Network, and elsewhere. She has served on the Board of Directors of the NC Arts Council, the NC Art Society, and Carolina Wren Press (now Blair).



The 2020 Spring Conference is made possible with support from The MFA in Creative Writing Department at UNC-Greensboro and the North Carolina Arts Council.

UNC Greensboro


NC Arts Logo


Return to Top


Joomla Template: from JoomlaShack