NC Literary Hall of Fame

 

 

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WINSTON-SALEM, NC—As writers, we constantly experience transformation. When we revise our words on the page, we transform the world around us by rendering it as art.

Whether we've got a poem that could use some suggestions to move it toward its next transformative stage, or we need an inspirational jumpstart to connect to our transformational muse, a writing community can ground us in our present reality—and help us imagine a better one.

On Thursday, March 11, at 7:00 pm EST, poet Ina Cariño will lead the online poetry class "Words as Symbols, Words as Spells: How Poems Alchemize Our Realities."

Registration is closed.

The cost for the class is $35 for NCWN members, $45 for non-members. Space is limited.

In his craft book The Art of Description: World into Word, acclaimed poet Mark Doty, who won the National Book Award in 2008, says that writing is akin to “trying to see inside [himself],” that “all perception [is]…an opportunity for interpretation.” Art is inherently a form of interpretation, one that seeks to find meaning in this world. And art and language have power over how we view our realities, how we create them.

In this course, we will write poems as “spells” that have the ability to reach for truth even in abstraction. By examining a few poems that “magic” realities into being, and by using prompts to flex the mind, we will each write through the lens of transformation. Again, to quote Doty: “…it is possible to feel, at least for a moment, language clicking into place, into a relation with the world that feels seamless and inevitable.”

Ina Cariño is a queer Filipinx poet who was born in the Philippines. Their poetry appears in Waxwing, New England Review, The Oxford Review of Books, and Tupelo Quarterly, among other journals. Ina holds an MFA in creative writing from North Carolina State University. They are a Kundiman fellow, and was a finalist for the 2019 Jake Adam York Prize. In December of 2019, Ina founded a reading series, Indigena Collective, centering othered and underrepresented creatives in the community, including but not limited to BIPOC, QTPOC, and people with disabilities. Find out more about Ina’s work at www.inacarino.com.

"Words as Symbols, Words as Spells" is part of the North Carolina Writers' Network's 2020-2021 series of online classes.

"The Network has offered online programming since 2016," said NCWN communications director Charles Fiore. "We're proud to already have the educational framework in place that allows us to continue to serve the writers of North Carolina, and beyond, during this time of social distancing."

The online class "Words as Symbols, Words as Spells" is available to anyone with an internet connection, or who even owns just a telephone. Instructions for accessing the online class on Thursday, March 11, will be sent to registrants no less than twenty-four hours prior to the start of class. The class will be archived and made available to registrants for repeated viewings.

The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org.

 

GREENSBORO—The Randall Jarrell Poetry Competition is now open for submissions. This annual contest awards $200 and possible publication to a single poem. The deadline is March 1.

This year's judge is Jennifer Militello, the author of The Pact (Tupelo Press, 2021) and Knock Wood, winner of the Dzanc Nonfiction Prize (Dzanc Books, 2019). She also is the author of four additional collections of poetry: A Camouflage of Specimens and Garments (Tupelo Press, 2016), finalist for the Eric Hoffer Book Award and the Sheila Margaret Motton Prize; Body Thesaurus (Tupelo Press, 2013), named one of the top books of 2013 by Best American Poetry and runner-up for the Poetry Society of America’s Alice Fay Di Castagnola Award; Flinch of Song, winner of the Tupelo Press First Book Award; and the chapbook Anchor Chain, Open Sail.

The competition is open to any writer who is a legal resident of North Carolina or a member of the North Carolina Writers’ Network. Submissions should be one poem only (40-line limit), original, and previously unpublished. While there are no restrictions in terms of theme, poets can read past winners, free, in a special section on the storySouth homepage.

The Randall Jarrell Poetry Competition honors poet and critic Randall Jarrell, who taught at what is now the University of North Carolina at Greensboro for nearly eighteen years. He was a 1996 inductee of the North Carolina Literary Hall of Fame who left behind nine books of poetry, four books of literary criticism, four children’s books, five anthologies, a bestselling academic novel, a translation of Goethe’s Faust, Part I, and a translation of Chekhov’s The Three Sisters, produced on Broadway by The Actors’ Studio.

The competition is administered by Terry L. Kennedy, Associate Director of the MFA in Creative Writing Program at the University of North Carolina at Greensboro.

storySouth is an online literary journal dedicated to showcasing the best poetry (and fiction and creative nonfiction) that writers from the "new south" have to offer. Facilitated by the Graduate Program in Creative Writing at UNCG, storySouth aims to prove that "the internet is not just a medium of flash and style; that excellent writing can attract attention without programming gimmicks and hard-to-read fonts." storySouth believes the American South today is a "mix of traditional and new, regional and international." 

Dannye Romine Powell won the 2020 Randall Jarrell Poetry Competition for her poem, "Argument."

The complete guidelines are below.

Eligibility and Guidelines

  • The competition is open to any writer who is a legal resident of North Carolina or a member of the North Carolina Writers’ Network.
  • The postmark deadline is March 1
  • Entries can be submitted one of two ways:
    1. Send one printed copy through the U.S. Postal Service (see guidelines and address below), along with a check for the appropriate fee, made payable to the North Carolina Writers' Network.
    2. Submit an electronic copy online at http://ncwriters.submittable.com, and pay by VISA or MasterCard.
  • Simultaneous submissions ok, but please notify us immediately if your work is accepted elsewhere.
  • Poem will not be returned. If submitting by mail, include a self-addressed stamped envelope for a list of winner and finalists. The winner and finalists will be announced in May.
  • An entry fee must accompany the poem. Multiple submissions are accepted, one poem per entry fee: $10 for NCWN members, $15 for nonmembers.
  • You may pay member entry fee if you join the NCWN with your submission. Checks should be made payable to the North Carolina Writers’ Network.
  • Submissions should be one poem only (40-line limit), original, and previously unpublished*.
  • Poem must be typed (single-spaced) and stapled in the left-hand corner.
  • Author's name should not appear on manuscripts. Instead, include a separate cover sheet with name, address, phone number, e-mail address, word count, and manuscript title. (If submitting online, do not include a cover sheet with your document; Submittable will collect and record your name and contact information.)
  • When you submit online at https://ncwriters.submittable.com/submit, Submittable will collect your entry fee via credit card ($15 NCWN members / $25 non-members). (If submitting online, do not include a cover sheet with your document; Submittable will collect and record your name and contact information. For more information about Submittable, click here.)
    • To submit as a Member of NCWN ($10), click here.
    • To submit as a Non-Member of NCWN ($15), click here.
  • If submitting by mail, send submissions to:

Terry L. Kennedy
MFA Writing Program
3302 MHRA Building
UNC Greensboro
Greensboro, NC 27402-6170

 

GREENVILLE, NC—Molly Sentell Haile of Summerfield is the winner of the 2020 Doris Betts Fiction Prize for her story, "Little Things." Haile will receive a prize of $250 from the North Carolina Writers' Network, and her story will be published in the thirtieth annual print issue of the North Carolina Literary Review.

Haile is a graduate of Davidson College and the MFA Creative Writing Program at UNC-Greensboro. Her fiction has appeared in Jabberwock Review and Cream City Review and has been nominated for a Pushcart Prize. Her nonfiction has appeared in Oxford American and O. Henry Magazine and has received an honorable mention in The Best American Nonrequired Reading. She teaches creative writing classes for people with cancer, survivors, and caregivers at Hirsch Wellness Network in Greensboro.

The final judge this year was Josephine Humphreys, author of four novels, including Rich in Love, which was made into a movie starring Albert Finney, and Nowhere Else on Earth, inspired by the legend of Henry Berry Lowrie, North Carolina’s Civil War Robin Hood, and his wife, Rhoda Strong Lowrie.

Humphreys reported of her selection of “Little Things” for the prize: “I was smitten by this story. From the start, I knew I was in the hands of a writer who could make a trustable world within a limited number of pages while at the same time creating an atmosphere tinged with mystery. A story has to seem real (that’s the ‘trustable’ part) but it also has to seem—well—strangely crucial, important enough to get written and to get read. ‘Little Things’ achieves those goals in an interesting way: by building a fabric out of, yes, little things—accumulated details resulting in a texture strong enough to support the crucial human mystery at its core. This story is told aslant, via an inexperienced observer who watches with an eagle eye, learning the world—a child on the verge of her future. The telling proceeds like an incantation without much judgment or interpretation, until a final unexpected jolt that is itself not easy to interpret. Beautifully written throughout, with words that shine, sentences I will remember.”

A record breaking 187 stories were submitted to this year’s competition, breaking the previous record set in 2013. NCLR Editor Margaret Bauer says, “it remains to be seen whether the increase in submissions is a result of the new late summer-fall submission period or people having more time to write during the pandemic.”

Bauer reports that all of the seven finalists who made it to the last round of consideration are new to NCLR. From these finalists, Humphreys also noted two for honorable mention: “Next to Godliness” by Rose Himber Howse of Asheville and “Wherever You Go” by Nancy H. Williard of Hendersonville.

Humphreys said of “Next to Godliness,” “I particularly admire the ways in which these characters are made utterly convincing. Their dialogue is clever and realistic, as in ‘I told him I never smoked as far as Blue Cross knows…’ and the main character, Meredith, is both strong and vulnerable. There are no missteps in the writing.”

Humphreys called “Wherever You Go” “a powerful story about the need to escape—from grief, from memory, from love—and the gradual realization that escape may be impossible. Moving to a new place will not be the solution. The narrator is ultimately able to extract only minimal compensation, and yet at the same time it is compensation enough, no matter where his place on earth ends up being. A clear streak of honesty runs through this story.”

These stories will appear in NCLR Online 2021, and the authors will receive a $125 honoraria from a donation made to the North Carolina Writers’ Network for that purpose. The other finalists were “Hope Is a Thing That’s Molting” by Susan Emshwiller of Durham, “Tunnel” by Paul Kurzeja of Charlotte, “Communist” by Gary Powell of Cornelius, and “The Fish Pond” by Kathleen Tyler of Wilmington.

The annual Doris Betts Fiction Prize honors the late novelist and short story writer Doris Betts and is sponsored by the nonprofit North Carolina Writers’ Network, the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org.

The North Carolina Literary Review has been managing the contest for the Network since 2006. The new submission period runs September 15 through October 31.

 

 
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