CLEVELAND, OH—We live in a world dominated by sound bites, inflammatory headlines, and 30-second soapbox diatribes. More often than, not, it is the loudest voice that gets heard.
How then should poets respond? Is there room for poets to move in the spaces between, in the margins and mortar, and to do so in a powerful way that lets them cut through the noise and touch readers in an authentic way?
On Tuesday, March 12 at 7:00 pm, poet Leila Chatti will lead the online class "Hush: Writing the Quiet Poem."
Registration is closed.
This course is capped at forty (40) registrants, first-come, first-served. There is a $30 fee to register.
In a time of seemingly endless bustle and noise, a quiet moment can be rare or too easily overlooked. In this workshop, we’ll turn the volume down and discuss how to notice and render the poetry of these “ordinary” moments. Using the work of masters such as Mary Oliver, Jane Hirshfield, Li-Young Lee, and Louise Glück, we will learn how to best use the tools of breath, space, syntax, and the line, and to recognize and communicate the power and beauty in what does not shout for attention, but quietly demands it.
Leila Chatti is a Tunisian-American poet and author of the chapbooks Ebb (Akashic Books, 2018) and Tunsiya/Amrikiya, the 2017 Editors' Selection from Bull City Press. She is the recipient of scholarships from the Tin House Writers’ Workshop, The Frost Place, and the Key West Literary Seminar; grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation; and fellowships from the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she is the inaugural Anisfield-Wolf Fellow in Publishing and Writing.
Her poems have received awards from Ploughshares' Emerging Writer's Contest, Narrative's 30 Below Contest, the Gregory O’Donoghue International Poetry Prize, and the Academy of American Poets. In 2017, she was the first North African poet to be shortlisted for the Brunel International African Poetry Prize. She is the Consulting Poetry Editor for the Raleigh Review and her work appears in Ploughshares, Tin House, American Poetry Review, Virginia Quarterly Review, Kenyon Review Online, and elsewhere.
"Hush: Writing the Quiet Poem" is the North Carolina Writers' Network's fourth and final offering in their 2018-2019 Winter Series of online classes.
"This program is a great way for writers from all over North Carolina to connect without having the hassle of driving somewhere and finding parking," said NCWN communications director Charles Fiore. "Online classes offer top-shelf instruction for a fraction of the cost, and the software itself is very intuitive and easy to use."
The online class "Hush: Writing the Quiet Poem" is available to anyone with an internet connection, or who even owns just a telephone. Instructions for accessing the online class on Tuesday, March 12, will be sent to registrants no less than twenty-four hours prior to the start of class.
The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org.