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NC Literary Hall of Fame




WILMINGTON—Joseph Mills of Winston-Salem has won the 2017 Rose Post Creative Nonfiction Competition for his essay, “On Hearing My Daughter Trying to Sing Dixie.” Mills will receive $1,000, and his essay will be considered for publication by Ecotone.

“At turns funny and contemplative, ‘On Hearing . . .’ asks us to see the South in all of its glorious contradiction,” said final judge Garrard Conley, author of the memoir Boy Erased. “For any aspiring essayists out there, this writing is a lesson on tone.”

A faculty member at the University of North Carolina School of the Arts, Mills holds an endowed chair, the Susan Burress Wall Distinguished Professorship in the Humanities, and was recently honored with a 2016-2017 Excellence in Teaching Award. He has published six collections of poetry with Press 53, most recently Exit, Pursued by a Bear, which consists of poems triggered by stage directions in Shakespeare. His book This Miraculous Turning was awarded the North Carolina Roanoke-Chowan Award for Poetry, and his work has been frequently featured on Garrison Keillor’s “The Writer’s Almanac.” With his wife, Danielle Tarmey, he researched and wrote two editions of A Guide to North Carolina’s Wineries. He also edited a book of film criticism, A Century of the Marx Brothers. More information about his work is available at www.josephrobertmills.com.

Beth Browne of Garner won second place for her essay, “Loblolly,” and will receive $300.

“’Loblolly’ is as much about real trees as it is about words,” Conley said. “An intimate portrait of a Southern family whose relationship to land is complicated, ‘Loblolly’ is also about the lyricism of memory and meaning. But what makes this writing so unique is its insistence that style represent real substance.”

 Browne’s work has appeared in Cruising World, Salt Magazine, Walter Magazine, and many other journals. A photo essay appeared in Shadowgraph Quarterly’s Spring 2015 issue. In addition to writing and photography, Browne manages a large farm, home schools her two teenagers, and spends most weekends sailing the North Carolina coast. Her website is www.bethbrownebooks.com.

“Postcards to North Carolina from a Northenmost Island,” by Asheville’s Jessica Jacobs, came in third. Jacobs will receive $200 in prize money.

“Try to find a more precise poetic line than this: ‘Its skull is drydocked in my palm, a dumb boat of bone, ferrying nothing.’ This author's prose is a wonder, and the associative quality of this essay, which charts two very different geographies, makes this essay a treat to read,” Conley said. “To call ‘Postcards’ an essay on place would be to reduce its significance. ‘Postcards’ is, instead, a lesson on how essay can blur the lines between prose and poetry.”

Jessica Jacobs is the author of Pelvis with Distance, a biography-in-poems of Georgia O’Keeffe, which was winner of the New Mexico Book Award in Poetry, an Over the Rainbow selection by the American Library Association, and a finalist for the Julie Suk and Lambda Literary Awards. Her chapbook In Whatever Light Left to Us, a memoir-in-poems, was published by Sibling Rivalry Press in 2016. An avid long-distance runner, Jessica has worked as a rock climbing instructor, bartender, and professor, and now serves as the Associate Editor of Beloit Poetry Journal and faculty for the Sewanee Young Writers' Conference. She lives in Asheville, North Carolina, with her wife, the poet Nickole Brown. More of her work can be found at www.jessicalgjacobs.com.

Sponsored by the North Carolina Writers’ Network and administered by the Department of Creative Writing at UNC-Wilmington, the Rose Post Creative Nonfiction Competition encourages the creation of lasting nonfiction work that is outside the realm of conventional journalism. The contest is open to any legal resident of North Carolina or member of the North Carolina Writers’ Network. This year's contest results were rare because all the finalists are NCWN members and all are North Carolina residents.

Conley’s memoir Boy Erased (Riverhead, 2016), was featured in Buzzfeed, Travel + Leisure, The Los Angeles Times, and many other publications as a must-read book. Megan Daum of The New York Times calls Boy Erased a story written "through the lens...of compassion," and Publisher's Weekly, in a starred review, calls it an "exceptionally well-written memoir." Conley's fiction and nonfiction can be found in Time, Vice, CNN, Buzzfeed, The Virginia Quarterly Review, and many others. He has received scholarships from the Bread Loaf, Sewanee, and Elizabeth Kostova Foundation writers' conferences. He currently lives in Brooklyn.

Ecotone’s mission is to publish and promote the best place-based work being written today. Founded at the University of North Carolina Wilmington in 2005, the award-winning magazine features writing and art that reimagine place, and our authors interpret this charge expansively. An ecotone is a transition zone between two adjacent ecological communities, containing the characteristic species of each. It is therefore a place of danger or opportunity, a testing ground. The magazine explores the ecotones between landscapes, literary genres, scientific and artistic disciplines, modes of thought.

Rose Post worked for the Salisbury Post for fifty-six years as a reporter, feature writer, and columnist. She won numerous state and national awards for her writing and earned the NC Press Women's top annual award four times. She received the O. Henry Award from the Associated Press three times, the Pete Ivey Award, and the School Bell Award for educational coverage. Nationally, she won the 1989 Ernie Pyle Award, the Scripps Howard Foundation National Journalism Award for human-interest writing, and the 1994 National Society of Newspaper Columnists' Award.

The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org.


GREENSBORO—Why write about yourself?

Multi award-winning author Lee Zacharias will try to answer this question, and more, when she leads the Creative Nonfiction Master Class at the North Carolina Writers' Network 2017 Spring Conference, Saturday, April 22, at UNCG.

Pre-registration is now open.

The morning session of this nonfiction workshop, "The Art of Structuring Personal Nonfiction," will begin by addressing the significance of personal writing, both in essay and memoir, for the writer and for the reader. That is, participants will discuss personal writing not as autobiography but as art. They will learn to read like writers—to read beyond content for structure—and talk about strategies for structuring personal nonfiction. Because no one's story ends without involving others, registrants will end the morning by considering issues of privacy and legality that are unique to nonfiction, as well as copyright law. Students are welcome to bring questions about privacy and legality that they are facing or think they may face in their own work. In the afternoon session, attendees will turn their attention to discussing the manuscripts they have submitted in advance of the class.

The NCWN 2017 Spring Conference is a full day of classes on the craft and business of writing, as well as faculty readings, Lunch with an Author, an open mic for conference participants, and the third annual Slush Pile Live! Master class registration is first-come, first-served, and all Master Class applications must be received by Friday, April 7.

To apply, attendees should submit up to 1,500 sequential words from a single work, along with their current CV in a separate attachment, on the same day that they register for the conference. Submissions should be saved in a single MS Word document, using double-spaced 12-point Times New Roman font, with numbered pages, and sent as an attachment to This email address is being protected from spambots. You need JavaScript enabled to view it.. The title of the work and the author's name should appear on the submission. The sample he or she submits will be the work discussed in class, and accepted registrants will be asked to circulate their drafts to others in the class prior to the conference.

Each registrant should be ready to handle the intensive instruction and atmosphere of the Master Class.

Lee Zacharias is the author of a collection of short stories, Helping Muriel Make It Through the Night, two novels, Lessons and At Random, and a collection of personal essays, The Only Sounds We Make. She has received fellowships from the National Endowment for the Arts and the North Carolina Arts Council, North Carolina's Sir Walter Raleigh Award, Southern Humanities Review's Theodore Christian Hoepfner Award, Prairie Schooner's Glenna Luschei Award, and a Silver Medal in Creative Nonfiction from the Independent Publisher Book Awards. At Random was a finalist in literary fiction for the 2013 International Book Awards, the National Indie Lit Awards, and the USA Best Book Awards. Her fiction and nonfiction have appeared in numerous journals, including, among others, The Southern Review, Shenandoah, and Our State. Ten times her essays have been named Notable Essays of the Year by The Best American Essays, which reprinted "Buzzards" in The Best American Essays 2008. For thirty-three years she taught literature and creative writing at the University of North Carolina Greensboro and is currently on the faculty of the Wildacres Writer Conference.

For full conference details, and to register, click here.

Spring Conference is sponsored in part by The MFA in Creative Writing Program at UNCG,, which will provide free parking for Spring Conference registrants in the Oakland Avenue Parking Deck, across Forest Street from the MHRA Building (behind Yum Yum Better Ice Cream and Old Town Draught House). Other sponsors include 88.5 FM WFDD: Public Radio for the Piedmont, The News & Record in Greensboro, and the North Carolina Arts Council.


ASHEVILLE—More and more authors are turning to indie publishing in order to reach a wider audience and have greater control over their final product. But there's a lot that an indie author has to juggle, and the process can be overwhleming to anyone who has never published before.

On Tuesday, March 21, at 7:00 pm, Danny Bernstein will lead the online class "Indie Publishing." This class will help authors make the journey from finishing their manuscript to taking their book to market.

Registration is now closed.

This course is capped at forty (40) registrants, first-come, first-served. There is a $25 fee to register.

What Color is your Parachute? and The Martian are two of the more famous modern books that started out as self-published books. You’ve got a book in you. You may be writing a book but so far, it’s just a manuscript on your computer.

How can you go from manuscript to a published book and e-book? If you want to skip the traditional agent and publisher route, you can publish a book yourself, independently. It’s not easy, and it’s not quick, but publishing your book allows full control of the physical book such as book cover, content, and price. It also lets you decide how you’ll market the book and where it will be sold. Most important, it gets your book out there in the marketplace.

Danny will talk about the big picture of indie publishing and details that no one seems to think about until you self-publish. Indie publishing is an exciting trip, so let’s take a good look at the whole map before you begin the journey.

Danny Bernstein is a hiker, hike leader, and outdoor writer. She’s written two hiking guides for the Southern Appalachians (Milestone Press), and a travel narrative, The Mountains-to-Sea Trail Across North Carolina (History Press). Her latest book, Forests, Alligators, Battlefields: My Journey through the National Parks of the South, which celebrates the 100th anniversary of the National Park Service, was published independently in 2016. Danny has written for many publications including the Mountain Xpress, Blue Ridge Outdoors, and the Smokies Life. She lives in Asheville.

In her previous life, she worked in computer science for thirty-five years, long before computers were cool, first as a software developer, then as a professor of computer science. She’s blogged for almost ten years about the outdoors and writing. See www.hikertohiker.com.

"Indie Publishing" is the North Carolina Writers' Network's fourth and final offering in their 2016-2017 Winter Series.

"This new program initiative is a great way for writers from all over North Carolina to connect without having the hassle of driving somewhere and finding parking," said NCWN communications director Charles Fiore. "These online classes offer top-shelf instruction for a fraction of the cost, and the software itself is very intuitive and easy to use."

The online class "Indie Publishing" is available to anyone with an internet connection, or who even owns just a telephone. Instructions for accessing the online class on Tuesday, March 21, will be sent to registrants no less than twenty-four hours prior to the start of class.

Register here.

The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org.


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