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NC Literary Hall of Fame

 

 

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RALEIGH—Whether they're writing about their grade-school days, the loves of their lives, or social issues, writers of Creative Nonfiction work to uncover the truth. Sometimes, it's impossible not to involve oneself in a nonfiction narrative. Other times, it's ill-advised.

Paul Cuadros, who will lead the creative nonfiction tract at the NCWN 2018 Squire Summer Writing Workshops, July 19-22, at NC State University in Raleigh, was deep into an investigative story when he realized there was no way he could not get involved.

The result? A Home on the Field: How One Championship Team Inspires Hope for the Revival of Small Town America, which tells the story of Paul's experiences coaching a boys' soccer team in Siler City, and the tensions and reconciliations among community members as their town changed quickly around them.

Paul moved to Chatham County in 1999. Forseeing how an influx of Latin-American immigrants would change the culutre of the interior United States, he received a fellowship from the Alicia Patterson Foundation. This fellowship, considered "one of the most prestigious fellowships in journalism," allowed Paul to report on emerging Latino communities in rural poultry-processing towns in the South.

The Jets were state champions, but there was no storybook ending, not really.

"In the epilogue, only one player goes on to higher education and completes a degree," says Paul. "The rest go into the trades and try to fashion a life where their lack of documentation stymies their dreams. The ending shows the sad truth that not having a pathway to citizenship is a roadblock in life. It says that the promise of America is broken. That once upon a time we welcomed immigrants with few qualifications other than the desire to do better, and although we exploited the parents, we allowed the kids to become citizens. Today that is no longer true."

At the NCWN 2018 Squire Summer Writing Workshops, Paul will lead the Creative Nonfiction tract, "Storytelling from a Point of Truth."

Creative Nonfiction, Narrative Nonfiction, New Journalism, Documentary Writing—no matter what you call it, storytelling from a point of truth is the name of the game. There are many ways to tell nonfiction stories today, but they all have tenets that keep them in line and together. The first is finding a compelling story based in truth. Then research, research, research. And then writing, using the creative writer’s tools to craft a compelling, rich, true narrative with a beginning, middle, and end. The nonfiction work depends on the research of the event or story wishing to be told, and so attendees will discuss methods on how to collect information, interview people, hang out, challenge memory, recreate important events and times, and develop a story that reads like a novel but is as true as they can make it. Nonfiction requires the writer to be part reporter, part creative writer. Registrants wll discuss, examine, and learn both sets of techniques and skills. Voice is also key in this, and developing the right voice for the narrative is important. Finally, conferencegoers will discuss pitching the nonfiction work and the development of the all-important proposal. They'll go over ideas in class, as well as their work, and any exercises they may have time for. Attendees should come away from the session with an understanding of the work involved in researching a story, putting it together, and pitching it to someone.

Paul Cuadros is an associate professor in the School of Journalism & Mass Communication at the University of North Carolina-Chapel Hill, as well as the chair of the UNC Scholars’ Latino Initiative, a college mentoring and preparatory program for Latino high school students at six local public high schools. He is an award-winning investigative reporter and author whose work has appeared in The New York Times, The Huffington Post, Time Magazine, Salon.com, The Chicago Reporter, and other national and local publications. His book A Home on the Field: How One Championship Team Inspires Hope for the Revival of Small Town America (Harpers Collins), which tells the story of Siler City as it copes and struggles with Latino immigration through the lives of a predominantly Latino high school soccer team, has been required summer reading for undergraduates at UNC-Chapel Hill and several other colleges and universities. In 2014, the book was adapted into the television documentary series Los Jets, produced by Jennifer Lopez and her production company, Nuyorican Productions, Inc. Cuadros is currently working on another book about the Latino community in the American South.

Rob Greene will lead the class in poetry, "Poems of Experience." Elaine Neil Orr will lead the fiction class, "From Character to Plot to Atmosphere."

Registration is capped at forty-two registrants, first-come, first-served.

Register now.

 

ASHEVILLE—Theresa Dowell Blackinton of Durham has won the 2018 Thomas Wolfe Fiction Prize for her story “Reunification.” Blackinton will receive $1,000 and possible publication in The Thomas Wolfe Review.

Final judge Sarah Addison Allen described “Reunification” as “Timely, bittersweet, alive with imagery. It takes a skilled writer to infuse a serious and emotional subject with such hope.”

Blackinton is a writer and freelance editor whose work has won the Betty Gabehart Prize for Fiction and the NC State Short Fiction Award and was published most recently in The Iowa Review.

The story “Don’t Give Up on Alan Greenspan,” by Soma Mei Sheng Frazier of California, received first Honorable Mention.

Soma Mei Sheng Frazier is an East Coast native living in the San Francisco Bay Area, where she recently served as a San Francisco Library Laureate. Her award-winning fiction chapbooks, Salve (Nomadic Press) and Collateral Damage: A Triptych (RopeWalk Press), have earned praise from Nikki Giovanni, Daniel Handler, Antonya Nelson, Sarah Shun-lien Bynum, Molly Giles, Michelle Tea, and others. Frazier’s writing has placed in literary competitions offered by HBO, Zoetrope: All-Story, the Mississippi Review, and more.

Robin Solit received second Honorable Mention for “1936: Hang There like Fruit, My Soul,” an excerpt from her unpublished novel Little Wanderers. It was inspired by her experience as the mother of a biracial child, her work with disabled babies in a Romanian orphanage, and her encounters with Mongolian and Russian children while riding the 5,000-mile Trans-Siberian Railway across the vast Eurasian Steppes and the wilds of Siberia during the dead of winter. She lives in the New York metropolitan area.

Final judge Sarah Addison Allen is the New York Times bestselling author of Garden Spells (2007); The Sugar Queen (2008); The Girl Who Chased the Moon (2010); The Peach Keeper (2011); and Lost Lake (2014). Her new novel First Frost is now on sale. She was born and raised in Asheville.

The Thomas Wolfe Fiction Prize, which is awarded to a work of short fiction of 3,000 words or less, is administered by the Great Smokies Writing Program at the University of North Carolina at Asheville. The program offers opportunities for writers of all levels to join a supportive learning community in which their skills and talents can be explored, practiced, and forged under the careful eye of professional writers. The program is committed to providing the community with affordable university-level classes led by published writers and experienced teachers. Each course carries academic credit awarded through UNC-Asheville.

The Thomas Wolfe Review is the official journal of The Thomas Wolfe Society, publishing articles, features, tributes, and reviews about Wolfe and his circle. It also features bibliographical material, notes, news, and announcements of interest to Society members.

North Carolina Literary Hall of Fame inductee Thomas Wolfe (1900-1938), was born in Asheville. His Look Homeward, Angel is considered one of the most important coming-of-age novels in the English language. Wolfe was considered at the time of his death to be the greatest talent North Carolina had given to American literature. His novels and collected short stories go beyond autobiography, trying to, in William Faulkner’s words, “put all the experience of the human heart on the head of a pin.” His intense poetic language and thoughtfully developed symbology, combined with his uncanny ability to enter the minds of his other characters and give them powerful voices, elevate the books from memoir to undeniable literary art.

The non-profit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to all writers at all stages of development. For additional information, visit www.ncwriters.org.

 

GREENVILLE—Miriam Herin of Greensboro is the winner of the 2018 Doris Betts Fiction Prize competition for her story “Lucky.” She will receive a prize of $250 from the North Carolina Writers’ Network, and her story will be published in the North Carolina Literary Review’s 2019 print issue.

Miriam Herin’s second novel, A Stone for Bread, published by Livingston Press of West Alabama University, was selected as one of Kirkus Reviews Best Books of 2016. The author’s first novel Absolution won the 2007 Novello Press Literary Award, was a Finalist for Foreword Magazine’s 2007 Novel of the Year, and received the Independent Publisher's 2008 Gold Award for Best Fiction, Southeast Region. A native of Miami, Florida, she has lived in the Washington, DC, area and New York City, as well as in South Carolina where she earned a Ph.D in English Literature. She has taught Composition and Literature at Appalachian State University and Greensboro College, among other places. She spent over six years in inner city Charlotte organizing and directing a program for Southeast Asian teenagers, whose families were refugees from the Vietnam War, the genesis for the story “Lucky.”

This year’s final judge, Stephanie Powell Watts, received the Ernest J. Gaines Award for Literary Excellence for her debut story collection, We Are Taking Only What We Need (Ecco Press, 2012), which was also named one of 2013’s Best Summer Reads by O: The Oprah Magazine. Her debut novel, No One Is Coming to Save Us (Ecco Press, 2017), the Inaugural Sarah Jessica Parker Pick for Book Club Central, was described as “a backwoods African-American version of The Great Gatsby” by Janet Maslin in The New York Times Book Review. Born in the foothills of North Carolina and receiving her BA from the University of North Carolina at Charlotte, Watts currently lives with her husband and son in Pennsylvania where she is an associate professor at Lehigh University.

This year’s Betts competition drew 141 submissions. Watts selected Herin’s story from eighteen finalists, saying, “With inventive, deftly rendered scenes ‘Lucky’ tells the story of the protagonist, Sokha’s, epic journey to buy rice and a bottle of cola from a neighborhood store. Sokha is haunted by tragedy, and her memories of the Red Khmer in Cambodia many decades past rise unbidden and unwelcome as she navigates the streets of her American town.” Watts describes “Lucky” as “an intimate, tender story about the loss of community, our mutual fear of our neighbors, and the boundaries of our faith,” and says she will be "thinking about this beautiful story for a long time.”

Watts picked “Corin and Dorinda” by Asheville resident David Brendan Hopes for second place, calling it “a wise story that is, at its heart, a story of disappointment. Despite being an accomplished scholar and teacher, Dorinda watches while her husband gets the ‘real job’ and becomes more and better ensconced in the English department at his small rural college. ‘Corin and Dorinda’ is an emotionally intelligent story about what we are owed and what duty we have to the people in our lives in happy times and especially when we don’t get what we desperately need.” Hopes’s story will be published in NCLR Online 2019, which comes out in January or early February.

David Brendan Hopes is a Professor in the Department of English at UNC-Asheville. His novel, The Falls of the Wyona, won this year's Quill Prize from Red Hen Press; it is scheduled for publication at the end of the year. His plays Uranium 235 and Night Music have recently played at Asheville's Magnetic Theater, and his latest book of poems, Peniel, was published by St. Julian Press in 2017.

Watts also noted the finalists “Life List” by Ray Morrison and “For A Blaze of Sight” by Beth Gilstrap for honorable mention and remarked upon the strong narrative voice of finalists Mamie Potter in “Moving” and Chris Verner in “A Plague on the World.” Other finalists for the 2018 Doris Betts Fiction Prize were Colena Corbett’s “Definition of Perspective,” Fielding Clarke’s “Lost in Translation,” Frederica Morgan Davis’ “You & Me & John & Yoko,” Molly Edmonds’ “The Judge,” Ruben Gonzales’ “Her Red Slippers,” Thomas Johnson’s “End of the Line,” Ronald Jackson’s “Dog Jesus,” Callie Lewis’ “Tapeta Lucida,” Patricia Poteat’s “Pin Curls,” Lynn Sadler’s “Incarnation(s),” Sherry Shaw’s “Hyacinth Drive,” and Jennifer Vogel’s “The Eagle’s Nest.”

The annual Doris Betts Fiction Prize honors the late novelist and short story writer Doris Betts, the first to call North Carolina “the writingest state.” The competition is sponsored by the nonprofit North Carolina Writers’ Network, the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. Betts’s support of writers, both her UNC students and countless other protégés, is manifested in the Network’s reminder that, particularly in North Carolina, “Nobody Writes Alone.” For additional information about the North Carolina Writers’ Network, visit www.ncwriters.org.

A two-year subscription to NCLR will include the 2018 issue, coming out this summer with the winning story from the 2017 Betts competition, as well as the 2019 issue, featuring Herin’s winning story from this year’s competition and an interview with Stephanie Powell Watts. Subscribe at www.nclr.ecu.edu/subscriptions.

 

 
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