NCWN

 

White Cross School Blog

 

NC Literary Hall of Fame

 

 

 

CHARLOTTE—On Friday, November 21, from 12:00-1:30 pm, the Charlotte Writers’ Club will host a Pre-Conference Tailgate prior to the North Carolina Writers’ Network 2014 Fall Conference.

Three noted authors will provide instruction and guide participants through a series of writing prompts. Conference attendees and the general public are welcome: admission is free.

“The idea is to get folks excited about writing and to warm up our creative muscles,” said Charles Fiore, Communications Director of NCWN. “That way, we hit the ground running once conference registration opens later that afternoon.”

The Pre-Conference Tailgate, sponsored by the Queens University of Charlotte MFA in Creative Writing Program, will take place in the Crown Room at the Levine Center, 2201 Wellesley Avenue, on the campus of Queens University. Parking is free and plentiful in the parking decks adjacent to the Levine Center. For a campus map, click here.

The event will be facilitated by the following members of the Charlotte Writers’ Club:

Creative Nonfiction with Gilda Morina Syverson: author of the memoir My Father’s Daughter, From Rome to Sicily, scheduled for release in December 2014 from Pegasus Books in conjunction with Divine Phoenix. She is the author of two poetry books, Facing the Dragon and the chapbook In This Dream Everything Remains Inside. She has been teaching memoir classes and workshops for the last fifteen years at Queens University of Charlotte.

Poetry with David Radavich: poet, playwright, and essayist. Among his poetry volumes are Slain Species; By the Way: Poems over the Years; and Greatest Hits. His latest collection is The Countries We Live In. His plays have been produced across the United States, including six Off-Off-Broadway, and in Europe. David is immediate past-president of the Charlotte Writers’ Club and currently vice president of the North Carolina Poetry Society.

Screenwriting with Patrick Lee: author and screenwriter. He wrote the original screenplays James Barry; Night of the Cyclone starring Kris Kristofferson; and Rutanga Tapes. Patrick worked as a journalist and media consultant in South Africa. He is the author of two novels: Discards, published by Penguin SA, and The Flies of August. He currently is working on Concealed Carry, a sequel to The Flies of August.

The North Carolina Writers’ Network 2014 Fall Conference opens at 3:00 pm on Friday, November 21 and runs through Sunday, November 23 at the Sheraton Charlotte Hotel in Uptown Charlotte. Fall Conference offers workshops and master classes in poetry, fiction, and creative nonfiction, lectures and panels on publishing and finding an agent, and the opportunity to have your manuscript reviewed by literary agents and editors.

The faculty includes poets Anthony S. Abbott, Morri Creech, and Alan Michael Parker; fiction writers Kim Boykin, Moira Crone, and Aaron Gwyn; and creative nonfiction writers Cynthia Lewis, Rebecca McClanahan, and Amy Rogers. Allan Gurganus will give the Keynote Address. Saturday’s luncheon features Joseph Bathanti, North Carolina’s seventh poet laureate. Cost varies, scholarships are available. Register now at www.ncwriters.org.

The Charlotte Writers' Club (or CWC, as their members affectionately call it) provides a great opportunity for writers of all forms—and there are so many—to meet and discuss the latest trends, commiserate on projects, find critique groups, and participate in contests and workshops. This club aims to help writers develop their craft and keep the words coming. The CWC sponsors a wide range of activities that nurture writers, including contests, critique groups, monthly meetings, and periodic workshops. For more information on membership and joining the Charlotte Writers' Club, click on Membership.

A community of writers in-residence and online, the Low-Residency MFA program at Queens University of Charlotte brings together experienced and emerging writers for intensive seven-day residencies on campus twice a year and connects students and teachers online through the rest of the year as they work on their writing in the privacy and comfort of their own homes. It is designed to benefit committed writers who want to hone their craft without uprooting their lives. With courses of study in fiction, poetry, creative nonfiction, and writing for stage and screen, the MFA program offers an immersive experience over four semesters of intense study and writing.

The Queens University of Charlotte MFA in Creative Writing Program is also an “All-Day” Friday Sponsor and the sponsor of Saturday night’s Annual Banquet featuring the inimitable Wilton Barnhardt.

Pre-registration for the North Carolina Writers’ Network 2014 Fall Conference is open through November 14. Register now.

 

At the North Carolina Writers' Network 2014 Fall Conference, writers can sign up for "All Shapes and Sizes: A Workshop on Novel Structure" with Chantel Acevedo. Whether you outline, or let the muse take you where she will, every novel must have a thoughtful structure to it. We’ll be discussing the fundamentals of how to structure your novel in this workshop. We’ll talk about scene building, the “tent poles” that hold your novel up, pacing, character motivation and more.

Chantel Acevedo has received many awards for her fiction, including the Latino International Book Award and an Alabama State Council on the Arts Literature Fellowship. A Cuban-American born and raised in Miami, Florida, Acevedo has spent time in Japan and New Zealand as a Fulbrighter, and currently resides in Auburn, Alabama, where she teaches at Auburn University. She is the editor of the Southern Humanities Review, the founder of the annual Auburn Writers Conference, and the author of two additional novels, Love and Ghost Letters (St. Martin’s Press) and A Falling Star (Carolina Wren Press), as well as a novel for young adults, Song of the Red Cloak. A new novel, The Distant Marvels, is forthcoming from Europa Editions.

Register for Fall Conference now!

 

What are you reading right now?
Carlos Zafón's The Prisoner of Heaven.

Where is your favorite place to write?
The little white writing desk in my bedroom.

If you weren't a writer, what kind of job would you like to have?
I'm also a professor and editor, but if I weren't any of those, I'd work in a bridal store. I just love all those beautiful dresses and excited people on the threshold of this big event.

Who has influenced your writing style the most?
Lately, Zafón has been an influence. But certainly, Cristina Garcia and Julia Alvarez have been major influences.

If you could switch places with one fictional character, who would it be?
Anne Shirley from Anne of Green Gables. I've always wanted red hair!

What do you hope attendees takeaway from Fall Conference, especially if they sign up for your workshop, panel, or Mart?
My workshop is about structuring the novel, so I hope they come away with a renewed sense of the project they're working on, and a possible way "through" it.

Charlotte is known as both "The Queen City" and "The Hornet's Nest." Does one of those nicknames ring more true for you than the other?
I've been only once, briefly, but I just loved the little crowns on the signage. Parts of town reminded me of London, strangely, so definitely it's "The Queen City" for me.

Sunday's "Brilliant at Breakfast" panel discussion is titled, "The Many Paths to Publication." What's the first thing you ever published?
A sci-fi story that was published in a magazine for high school writers. The magazine was called Beginnings, but I can't recall the title of the story!

Give us three adjectives you hope critics use to describe your next book.
Moving, Page-turning, Educational.

What is the most frustrating or rewarding part of the writing process?
It depends on the day. Some days, the drafting is a pleasure, others, it's torture. Same goes for revision, trying to get published, marketing, etc.

What’s one piece of advice no one gave you when you were starting out, that you wish they had?
You don't have to stick to one genre. Sometimes, a story is actually a poem. Go with it.

If you could mandate that everyone in the world read one book, which one would you choose?
Toni Morrison's Beloved.

Describe your ideal literary festival. Who would give the keynote address? Who would be the featured readers? What else?
It would be quirky. I'd have John Green interviewing Marilynne Robinson, and those kinds of mix-ups. Toni Morrison would be the keynote. And maybe we'd have a seance and summon Shakespeare, and lay to rest all the rumors about his authorship.

Do you steal hotel pens?
Every chance I get.

***

The North Carolina Writers' Network 2014 Fall Conference runs November 21-23 in Charlotte. Registration is now open.

 

At the North Carolina Writers' Network 2014 Fall Conference, Carin Siegfried and Betsy Thorpe will lead a workshop on "The Art of the Pitch." After years of perfecting your manuscript, now it’s time to think about how you’re going to pitch your work—to agents, editors, publishers, and readers. Learn the secrets of a perfect query letter, and how to engage your reader. Carin Siegfried and Betsy Thorpe spent years as acquiring editors in New York for St. Martin’s and Random House, respectively, reading pitches from agents and authors, and can tell you what made them drop everything to read a manuscript sparked by an amazing pitch.

Carin Siegfried has been in the book business for twenty years, since starting work in the Davidson College library. She was an editor for Thomas Dunne Books at St. Martin’s Press in New York for five years, acquiring twenty-five books, including a New York Times bestseller, a Kelly Ripa Book Club selection, and a Barnes & Noble Discover Great New Writers selection. In addition, she worked on more than 100 books on behalf of Tom Dunne, including numerous bestsellers and award winners. More recently she was the New England independent bookstore sales rep, and then a national account manager, for book wholesaler Baker & Taylor. In 2009 she founded the Charlotte chapter of the Women’s National Book Association and she is currently President of the national WNBA. She runs her own editorial service, Carin Siegfried Editorial, where she enjoys helping writers make their books the very best. She is the author of The Insider's Guide to a Career in Book Publishing (6/2014, Chickadee Books), a book explaining the ins and outs of the publishing industry for young adults wanting to break into the field.

Betsy Thorpe has been in the book business for twenty years, working in the adult trade departments as a developmental and acquisitions editor at Atheneum, HarperCollins, Broadway Doubleday, Macmillan, and John Wiley & Sons. Since leaving New York, she founded Betsy Thorpe Literary Services, an independent book consultancy, where she works with authors on their book projects, helps with pitches and finding agents, and pulls together independent editorial teams and designers for self-publishing. She has co-written four books, three of which have been featured in The New York Times.

Register now!

 

What’s one piece of advice no one gave you when you were starting out, that you wish they had?
Carin Siegfried: Marketing is really, really hard. I knew that beforehand, but I had no idea until I tried doing it and it’s a nightmare. So many moving parts, so many options, so many costs, no way to know what will stick. We know 50 percent of marketing works… just not which 50 percent. This is true for my business, and even more so for my book.
Betsy Thorpe: When I was an acquiring editor I was rejecting many books that were very good, but not quite “there.” As an aspiring novelist, this got me down, and put me off writing my own novel for sixteen years.

Did you have a teacher or mentor who had a big, positive impact on you?
CS: I had several great English professors in college who all taught the pop culture has value. They did not value so-called “literature” over just plain, regular fiction. They acknowledged that we don’t know which contemporary books will one day be classics, and also that one can find value in pop culture in a literary way, a la Don Delillo’s White Noise. I loved their non-snobbery and appreciation of all types of genres and styles.
BT: I had many mentors and amazing professors, but I have to go all the way back to high school, where two English teachers, Mrs. Lang and Mr. Krill, inspired me to (respectively) be a writer, and to love the middle ages.

Who is your literary hero?
CS: David Sedaris. He’s a little guy with a squeaky voice writing about everyday life, from getting a colonoscopy to picking up trash on the side of the road, and he not only makes it hilarious and riveting, but he’s made an entire career out of it. And yet, he still does events at independent bookstores, and for every tour he picks a book that he personally likes and he touts it everywhere he goes, spreading the wealth. If you’ve ever seen him in person, you’ll know he could not be less pretentious or celebrity-esque. He has never left an event before every book has been signed, and he talks to everyone.
BT: Oh man, impossible to have just one! I’d have to say Jane Austen for bucking the conventions of the time when women were meant to be ornaments, and not keen and observant writers. I love literary pioneers.

If you could live in any literary world for the rest of your life, where would you find yourself?
CS: I’m fine where I am. No magical realms, nor even historical. Both are too scary. I couldn’t deal with the sexism and lack of TV. So I’ll go with the '90s in NYC restaurants and live in Garlic and Sapphires: The Secret Life of a Critic in Disguise by Ruth Reichl.
BT: Narnia (C.S. Lewis), followed by Avonlea on Prince Edward Island (L.M. Montgomery), followed by King Arthur’s Court (Geoffrey of Monmouth).

If you could have written one book that someone else wrote, which book would it be?
CS: Pride and Prejudice. It’s only the best book ever, so why would anyone pick anything else?
BT: Bel Canto—pure genius. I stand in awe at Ann Patchett’s skills there.

Many writers are solitary creatures. Coming to an event like Fall Conference can be a little intimidating, navigating the exhibit hall and ballroom events. Any advice for working the room?
CS: I recently heard that the best thing to do is not to approach a single, but to approach a twosome. That way you’re not stuck and you have a decent chance of being able to peel off and continue to mingle.
BT: I’m really awkward at working a room as well. I once spoke to a group in South Carolina, and after I finished, a woman introduced herself. She said she was a realtor by day, but was so happy to be surrounded by fellow writers at this conference because until then, she’d felt very alone in her pursuit of writing. It’s hard in your everyday world for people to know what writing is like, and how it can be both amazing and heartbreaking. So enjoy the fellowship of your fellow writers. Just introduce yourself and tell the other person what you’re working on and what you’re hoping to get out of the conference and make sure you “friend” them on Facebook or get e-mail addresses to keep in touch! Get a support group or a writers’ group together.

Who gave the best reading or talk you've ever been to? What made it so good?
CS: David Sedaris is always the best reading I’ve been to. I’ve seen him four times in three cities. He’s hilarious and I love that despite how popular he is, he doesn’t exclusively do expensive paid events. He still does free shows at indies all the time. He gives away random free things at his signings like hotel toiletries and coat hangers and condoms. And I love hearing him try out new material, and then see the final version later in his next book.
BT: I loved the talk that Debbie Macomber gave at Bookmarks last year. She told the story of how she dreamed she could have a career as a writer, but kept getting rejected, time and time again. It took her five years of multiple submissions of multiple manuscripts before she got her first contract. Her story showed that butt in chair plus talent plus a dogged determination got her to be a bestselling author.

Any advice for attendees who sign up for the Open Mic?
CS: Remember to breathe.
BT: Humor always wins people over. And brevity.

The city of Charlotte was founded on two established Native American trading routes. Now, of course, it's the 2nd biggest banking center in the country. Fall Conference will boast an exhibit hall packed with vendors. How do you approach an exhibit hall at a conference such as this? To shop, to chat, or both?
CS: Both. I’ve been on both sides of the booth, and I actually think it’s a little easier to be in the booth, waiting for people to approach you. As a participant, sometimes the vendors seem desperate and I’m scared if I approach them I’ll never get away. So I am hesitant and I prefer a booth where the vendors don’t jump on every person the second they walk up. Relax. If the material’s good and right for the person, they’ll stay a minute.

They say you can't judge a book by its cover, but of course most of us do. What is one—or some—of your favorite book cover(s)?
CS: Major Pettigrew’s Last Stand was beautiful. Mr. Penumbra’s 24-Hour Bookstore was not just awesome but it also glow in the dark! Blindness by Jose Saramago was simple and yet perfect.
BT: Recently, I’ve loved the cover for Where’d You Go Bernadette by Maria Semple. And Let’s Pretend This Never Happened by Jenny Lawson kills me every time I see it.

What do you hope attendees takeaway from the conference, especially if they sign up for your workshop?
CS: Everyone will take away something different. Some people need more confidence, some people need to know how hard it is so they won’t take a few rejections so to heart, and some people need to know when to give up and start something new. As long as you learn something—it doesn’t matter what—you’ve had a successful day.
BT: Pitching a book is so important and should be given a lot of attention to perfect. It’s not true that “unless you know somebody” you have no shot at getting published. A great pitch letter will get you a read by a powerful and knowledgable agent. Make sure it’s got all the elements that need to go into a great pitch letter.

What is your guilty pleasure read?
CS: Valley of the Dolls was fantastic. Everyone should read it. You’ll love it.
BT: So many types of books fit in this category for me. But I’m always a sucker for historical fiction with a dash of romance, suspense, and mystery.

What makes you cringe when you see it on the page?
CS: “Entitled” instead of “titled.” But this is a battle I’m losing. The improper definition is even in most dictionaries now. (Entitled is a legal term meaning you are owed or due something. If you’re talking about the title of a book or TV show, it’s simply “titled.”)
BT: So much! An editor is supposed to be on the lookout for multiple sins on the page, and being an English major you learn to critique and analyze the greats. But my number one pet peeve at the moment is bad dialogue and dialogue tags.

Caffeine of choice? (English Breakfast, Caramel macchiato, etc.)
CS: Dr. Pepper.
BT: PG tips tea. Thanks to living in England for a couple of years, that’s your basic everyday tea, but I love a good Darjeeling or Lady Grey when splashing out on a slightly better tea. With milk, hold the sugar.

***

Registration for the North Carolina Writers' Network 2014 Fall Conference is now open.

 

 
Joomla Templates: from JoomlaShack